Caramanzana, Ian (27 July 2017). "Tips like sugar: Things you should know about Echo & The Bunnymen". Las Vegas Weekly . Retrieved 24 April 2020.

Favourite fingers, cavemen singing, fresher feeling, burning bridges, smashing mirrors – all strange life is here, as Ian McCulloch pronounces proudly, gladly on the refrain, “Seven seas/ Swimming them so well/ Glad to see/ My face among them/ Kissing the tortoise shell”. Children Of Nuggets : Original Artyfacts From The Second Psychedelic Era 1976-1996 V.A CD1 - CD2 (1) Like Porcupine, the making of the album proved to be a difficult and protracted process. Early sessions with Gil Norton took place at the famous Cologne studio of German producer Conny Plank, but both band and label were unhappy with the results and these recordings were shelved. They began re-recording material from the Cologne sessions with Laurie Latham in Brussels, but the sessions were grueling, with Latham spending up to a month on a single song, and tensions within the band were being inflamed by McCulloch's increasing alcohol use, and the star treatment he was being accorded. In the book The KLF: Chaos, Magic and the Band Who Burned a Million Pounds by John Higgs, Bill Drummond says that he saw the face of "Echo", an imagined giant rabbit, in the cover design. [16] Releases [ edit ]Matrix / Runout (Side B runout, variant 4): KODE 1 B-1 F/2 WITH FLOWERS A̶̷̲̅N̶̷̲̅D̶̷̲̅ IИ THEIR HAIR ARUN In March 2007, the Bunnymen announced that they had re-signed to Warner and were working on a new album. [35] The band were said to be planning a live DVD, titled Dancing Horses, which contained interviews with the band. This was released in May 2007 on Snapper/SPV. The live line up was Ian McCulloch, Will Sergeant, Simon Finley (drums), Paul Fleming (keyboards), Gordy Goudie (guitar) and Steve Brannan (bass). [36] Very similar to Echo & The Bunnymen - Crocodiles. However, this version has an alternate barcode format with leading "0" printed on the tray card.

The band’s lighting engineer, Bill Butt, was delegated to direct. He wanted the video to reflect the frigid feel of the album and originally plumped for Scotland as the location, but the paucity of snow meant Reykjavik was the second choice. a b Cranna, Ian (24 July – 6 August 1980). "Echo & the Bunnymen: Crocodiles". Smash Hits. Vol.2, no.15. p.29.McCulloch claimed Porcupine was “a classic autobiographical album, the most honest thing that I’d ever written or sung”.

Echo & the Bunnymen: Meteorites on pledgemusic". Pledgemusic.com. Archived from the original on 18 June 2014 . Retrieved 13 March 2014.

On their 1978 debut at Eric’s Club in Liverpool, Echo & the Bunnymen played a 20-minute version of Monkeys, which was entitled I Bagsy Yours at the time. After extensive consultation with their clients, Smith and Duval were "embedded" in Buxton with the band in the week leading up to the concert, and they were given a completely free hand to structure, shoot and edit the project. Smith and Duval shaped the first part of the film around the differing characters of the four band members, filming both the town and the musicians, but using unusual shooting angles and perspectives. This material was then assembled into an impressionistic sequence of seemingly disconnected images, which are gradually revealed to be a montage of the activities of the band members as they prepare for and head to the show.

One review said it had “all the appeal of a discussion with a career advisor”, while Sergeant claimed it was McCulloch and their manager “doing something that didn’t involve anyone else”. Read more: The Smiths – The complete guide Read more: The Lowdown – Morrissey Need to know On 11 January 2008, McCulloch was interviewed on BBC Breakfast at the start of Liverpool 08. He was asked about new Bunnymen material and he revealed that a new album would coincide with their gig at the Royal Albert Hall in September. He went on to say that the album was "The best one we've made, apart from Ocean Rain." Their 1980 debut album Crocodiles went into the top 20 of the UK Albums Chart. After releasing their second album Heaven Up Here in 1981, the band's cult status was followed by mainstream success in the UK in 1983 when they scored a UK Top 10 hit with " The Cutter", and the album which the song came from, Porcupine, hit number 2 in the UK. Ocean Rain (1984), continued the band's UK chart success with its lead single " The Killing Moon" entering into the top 10. [8] From Will Sergeant’s point of view, it was a trip to Russia “that fed into The Killing Moon”. He and Les Pattinson returned home inspired by balalaika bands, hence the “rumbling, mandolin-style bass thing” you can hear.Ironically, Echo & the Bunnymen (frequently referred to as “the grey album”, though McCulloch prefers “the ‘loss of grey matter’ album”) gave them their biggest success in America. But Mac wasn’t alone in wondering, “Where was the Bunnymen we all loved?” In 1994, McCulloch and Sergeant began working together again under the name Electrafixion; [13] in 1997 Pattinson rejoined the duo, meaning the three surviving members of the original Bunnymen line-up were now working together again. Rather than continue as Electrafixion, the trio resurrected the Echo & the Bunnymen name and released the album Evergreen (1997), which reached the UK Top 10. If you’re looking for meaningful lyrics, disciplined poetic cadence, creative melodies, elaborate chord structures, skillful performances, and fine vocals, you should look elsewhere.