Very Little Cinderella

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How can I just make it different?” Cannon tells Polygon about how she planned her version. “Because they’ve already done it, and they’ve already done a great job, and I can’t just redo the greatness.” One of the most popular versions of Cinderella was written in French by Charles Perrault in 1697, under the name Cendrillon ou la petite pantoufle de verre. The popularity of his tale was due to his additions to the story, including the pumpkin, the fairy-godmother and the introduction of "glass" slippers. [36]

According to Korean scholarship, East Asian versions of Cinderella "typically" continue as the heroine's stepmother replaces the Cinderella-like character for her own daughter, [ clarification needed] while the heroine goes through a cycle of transformations. [62] Such tales continue the fairy tale into what is in effect a second episode. The Disney version of Cinderella was based on the French version of the tale by Charles Perrault, Cendrillon written in 1697 in Histoires ou Contes du Temps Passé. [1] Personality [ edit ] The Prince was quite vexed when supper-time came, and he could not find his beautiful partner, and no one had seen her leave the room. But in hopes of beholding her again, he persuaded the King to give another grand ball. As soon as her sisters were gone to it, Cinderella’s godmother arrived.

Koenig, David (1997). Mouse Under Glass: Secrets of Disney Animation & Theme Parks. Bonaventure Press. p.75. ISBN 978-0964060517. The same story is also later reported by the Roman orator Aelian ( c. 175– c. 235) in his Miscellaneous History, which was written entirely in Greek. Aelian's story closely resembles the story told by Strabo, but adds that the name of the pharaoh in question was Psammetichus. [b] [8] Aelian's account indicates that the story of Rhodopis remained popular throughout antiquity.

century folktale collector Kenichi Mizusawa published an analysis of Japanese variants of Cinderella, separating them into two types: "Nukabuku, Komebuku" (about rival step-sisters) and "Ubagawa" (about the heroine's disguise). [32] Woods herself has collected widespread acclaim for her performance. Variety wrote, "Ilene Woods, as Cinderella’s voice, uses a sweet soprano." [38] Craig Butler of AllMovie opined, " Ilene Woods makes a marvelous Cinderella, her voice a combination of girlishness and sophistication; she also possesses a serenity and assurance which makes one feel she is more in control of her life than might be guessed by her surroundings." [50] At the time of Woods' death, animation critic and historian Charles Solomon told the Los Angeles Times, "one of the things about her performance is the warmth she gave the character. As soon as she began to speak, her voice meshed with Marc Davis' animation to create a heroine you liked instantly." [13] Breslaw, Anna (March 2, 2014). "Lupita Nyong'o Is In A Cinderella Gown At The Oscars". Cosmopolitan. Hearst Communications, Inc . Retrieved March 30, 2014. Bach, Kimberly (November 2, 2009). "10 Most Famous Fictional Princesses of All Time". GoArticles.com. GoArticles.com . Retrieved March 29, 2014.a b Amelia Carruthers (24 September 2015). Cinderella – And Other Girls Who Lost Their Slippers (Origins of Fairy Tales). ISBN 9781473370111. Aschenputtel, included in Household Stories by the Brothers Grimm, translated by Lucy Crane, at Project Gutenberg Hansen, William (2017). The Book of Greek & Roman Folktales, Legends & Myths. Princeton, New Jersey: Princeton University Press. pp.86–87. ISBN 9780691170152. Ella Enchanted (2004), a fantasy retelling featuring Anne Hathaway, which is based on the 1997 novel of the same name.

Disney princesses and the real voices behind them". The Houston Chronicle. Hearst Newspapers, LLC. 9 January 2014 . Retrieved March 30, 2014. Leclère, Adhémard; Feer, Léon. Cambodge: Contes et légendes. Librairie Émile Bouillon. 1895. p. 91. Maria Tatar, The Annotated Brothers Grimm, p 126-8 W. W. Norton & company, London, New York, 2004 ISBN 0-393-05848-4 Reino, Roni (July 4, 2010). "Ilene Woods, N.H.-born voice of Cinderella, dies at 81". Fosters.com. Geo. J. Foster Company. Archived from the original on January 11, 2018 . Retrieved March 30, 2014. a b "Review: 'Cinderella' ". Variety. Variety Media, LLC. December 31, 1949 . Retrieved March 28, 2014.Silva, Francisco Vaz da (2000). "Symbolic Themes in the European Cinderella Cycle". Southern Folklore. 57 (2): 159–80. The magical help: Not all movie Cinderellas feature magic, particularly the modern-day ones. But some form of wish-granting figure seems like a key part of the story. Festival of Family Classics (1972-73), episode Cinderella, produced by Rankin/Bass and animated by Mushi Production. Morgenstern, Joe (March 12, 2015). " 'Cinderella' Review: Finding New Soul in Old Shoe". The Wall Street Journal . Retrieved March 25, 2015. Tatar, Maria (2002). The annotated classic fairy tales. New York London: W. W. Norton & Company. ISBN 978-0-393-05163-6.