Journey to the River Sea

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Some of the books, particularly Journey to the River Sea, also reflect Ibbotson's love of nature. Ibbotson wrote this book in honor of her husband (who had died just before she wrote it), a former naturalist. The book had been in her head for years before she actually wrote it.

I like that Ibbotson shows an equally valid desire in the decidedly less adventurous but certainly realistic Clovis, who yearns for the…ahem…creature comforts of England. His cravings for shape and other “stodgy puddings” made me laugh. The characters are given flesh and bones in the most beautiful, solid writing. Not a word wasted, not a phrase that didn't enhance the story. Descriptions of the places and people formed magnificently clear pictures. The characters did not change and blow about in the wind and I really liked their solidness. It fit the story perfectly.Although Maia is looking forward to the adventures she is going to have, she is a little bit apprehensive. Before she travels she spends a lot of time researching in the school library and imagining what her exotic new life will be like. On the long sea voyage she meets Clovis, a boy actor with a travelling theatre troupe who are due to perform in the grand opera house in Manaus. She also gets to know Miss Minton who insists on teaching her some Portuguese to prepare her for living in Brazil. I read this at school with the whole class, and I'm sorry, but it was so boring and I nearly fell asleep! I got the book all mixed up, it was very confusing, let alone VERY boring! With the opening extract included, this comprehension resource includes questions and answers for this classic text by Eva Ibbotson. Nevertheless, Maia is the typical heroine of such a story: brave, positive, full of life and cheer and good manners. So it doesn't take her long to make friends elsewhere.

comprehension questions on the opening of *Journey to the River Sea. An ideal activity for Key Stage 3 classes who are studying the novel or as a stand-alone comprehension task. I was pleased with all of the main characters and their development, and thought the book held some great practical and down to earth lessons too. Perhaps the natives and their lifestyle was a little too romanticized, and the investigators stereotyped into their typical bumbling personalities, but it seemed to work for the book.I've been thinking a lot about how children's fiction can play a role in the moral development of a child. Ibbotson writes in a variety of genres, but even her most humorous and farcical stories always have a particular moral clarity about them. She reminds me of Dahl in that way. The baddies are lazy, selfish, greedy, grasping -- and usually rich. The goodies are kind, honest, brave, resourceful, modest and hardworking. They yearn for connectedness, not things.

And when Maia meets a mysterious boy who lives alone on the wild river shores, she begins a spectacular journey to the heart of an extraordinary and beautiful new world.What a lovely adventure / coming-of-age story! Maia is a strong female character – intelligent, kind, generous, brave, resourceful and loyal. I loved how she reserved judgment until she was certain of the facts, and even when faced with greedy, spiteful people she maintained her dignity and, with the help of Miss Minton, found a way around obstacles. Her willingness to explore and learn about the native culture was also a fine lesson. And I liked the way Ibbotson made heroes out of some unlikely characters. This was written in a way that reminded me of the books I read in junior school. It relit my ten year old self's yen for adventure and for things completely different to all I've known.

Journey to the River Sea is a beautifully written novel, deserving its many accolades. As with so many young adult novels the protagonist has to find her way in the world through her own courage, gifts and wits, with just a little help from a few friendly helpers. She is the classic 'outsider' who doesn't appear to fit the mould: she looks different, loves books and, above all, is an orphan. (In fact, as we see, most of the children mentioned in this tale lose or have lost one or both of their parents.) Forget that we have a few possible literary trope borrowings (I suspect Peter Pan and Tarzan and The Jungle Book might have been distant influences, as well as the aforementioned Mary Poppins, Cinderella and, obviously, Little Lord Fauntleroy); it's what Ibbotson chooses to do with these themes that make this both unputdownable and rarely predictable.There is a foreword and a note from the author at the beginning of my book. The former explains the significance of this author (I had never heard of her before), the latter is she herself telling us what made her write this book. In Ibbotson's attempt to invoke racial discussions, there was further, assumedly, unintended racism. This undermines the intent of the novel and plays further into the "saviourism" trope. Ibbotson is also not exactly an authority figure when discussing racism against Brazilians and South American Natives. Although, I appreciate the critique of Western/British colonial heritage and imbedded racism/white supremacy in Western cultures. I hated this book as a child, and basically, my re-read as an adult solidified this. I can understand why I did not like it. I feel it was also very forgettable. All I remember was the harmful content and little else about the storyline. I enjoyed this through and through, and somewhere in the second half it sailed from a 3-star rating to a 4-star one. I think it’s because, by the mid-point, almost all the events that an adult reader would predict have happened, and from then on it’s all about seeing how everything plays out and, most important, seeing Maia in her element: