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Product Information

One of the most noticeable features about this pedal is its construction. As far as volume pedals go, the FV-500H ranks on the large size. It’ll probably be bigger than anything else you’ve got on your pedalboard—and possibly more sturdy too. The aluminum casing on the outside of the pedal makes it a lot more durable, and less likely to get damaged if you accidentally drop it.

Another standout feature is the inclusion of two useful knobs to alter the Ernie Ball MVP’s volume settings. The Minimum knob is just like the one from the Boss FV-500H, and is useful to control your signal’s minimum amplitude when the MVP is in the “heel down” position. Furthermore, you get a Gain knob, which controls a 20dB gain boost. This boost is a nice touch, as it’s always handy to have some gain on tap if you need it. Using these knobs in conjunction makes the MVP one of the most versatile volume pedals on the market. The Ernie Ball Most Valuable Pedal provides a super smooth foot sweep. It's an ideal volume pedal that allows for precise volume control without losing high-frequency content throughout the volume sweep. It can offer great options with regard to the use of modulation, especially if you need it while both hands are busy playing your instrument. Choosing the perfect volume pedal requires you to establish exactly what you intend to use it for. Do you simply need a pedal to control the overall dynamics of your rig, or are you also interested in creating swells and fade-outs? One thing to know is that volume pedals before and after the distortion give different effects. If you use it before, you can do those volume swells. It’s kind of like you’re also reducing the gain, or messing with the volume knob on our guitar. Whereas at the end of the chain, it’s like you’re controlling the volume knob on your amp.And some basic functions would be a buffered bypass to maintain consistent signal levels even when the pedal is bypassed, along with an LED indicator so you know if it's on or off. In addition to guitars, volume pedals also make useful companions for basses, keyboards, synthesizers, and electronic devices like drum machines. This is one of the main reasons that a volume pedal is a wise investment because you can use it for so many different purposes. Bottom Line: The Dunlop DVP3 Volume (X) pedal gets a lot of things right, and in a few ways is superior to its chief rival, the Ernie Ball VP Jr. Users who have owned both swear by the DVP3 over the VP Jr., but it just seems like the Ernie Ball wins in a popularity contest and is found on quite a few more pedalboards. Perhaps this is due to marketing, or more pro guitarists opting for the Ernie Ball. We actually slightly prefer the Dunlop Volume X, as we don’t have to worry about tone loss or string durability issues. Several reviewers like this one agree with us:

Volume pedals often get grouped together with expression pedals. Simply put, an expression pedal is a variable pedal manipulated with the foot that changes some aspect of a guitar’s sound. This includes wah and volume pedals in addition to auxiliary pedals used in conjunction with an effects unit like a delay, vibrato, or a multi-effects unit like the Zoom G5n. Just keep in mind that when someone says “expression pedal” they will generally mean the latter type that is used with a pedal or multi-effects unit, as both volume and wah pedals are generally referred to as a volume pedal or a wah pedal for clarity’s sake. The Ernie Ball MVP is buffered, which makes it very versatile but also means you'll need to power it. Dedicated tuner output, min volume control, and a gain knob are amongst the stand-out features. The string assembly is a weak point, but nevertheless this is a versatile and affordable volume pedal.Bottom Line: As we mentioned, “cheap but good” is a very apt way to describe the Signstek. This user review sums it up nicely:

The most interesting feature is its switch. You can set the minimum volume with a knob on the left side. However, the footswitch on the right side lets you bypass it completely. And, of course, you can switch between these two modes. With effects pedals, it is hard to see further than Boss sometimes. They are simple, but they do the job very well. But this time we are not going down the Boss road. And our choice is the Mission Engineering Vm-1 Volume Pedal In the past, I’ve found that creating swells using a volume pedal is a great way to generate ambient textures within a song. Ernie Ball VP Jr is great for this purpose. It has a solidly built pivot shaft that is made from stainless steel and precisely secured using nylon bushings. This solid mechanism is joined by stainless steel springs for ultimate durability. As a musician, it’s very easy to become mesmerized by effects pedals that have extreme tone-altering capabilities. Indeed, it’s a lot of fun transforming your tone and sculpting your sound using a variety of processing tools.In general, volume pedals will not add any gain (amplitude) to the signal. Rather, they will attenuate the input signal as the pedal is “turned” down and allow the full signal level to pass when set at the maximum level. My Review: I’m always on the lookout for a high impedance volume pedal specifically for guitar, and therefore I was excited to discover this FV-30H, another top-tier offering from pedal-producing legends, Boss. One of the first things that stood out about it, was the compact and convenient size, which allows us to slot it onto a busy pedalboard easily.