The name Grès was a partial anagram of her husband's first name and alias. He was Serge Czerefkov, a Russian painter, who left her soon after the house's creation. [5] Grès enjoyed years of critical successes but, after Grès herself sold the business in the 1980s to Yagi Tsucho, a Japanese company, they hired Lloyd Klein as the artistic director for the entire house supervising 46 licencies between Paris and Japan, at the time Klein was offered one of the highest salaries of 150 000FRF per month and an annual fee of 12millionFRF after the death of Madame Grès, Lloyd Klein left the house to continue his collections in New York. By 2012, the last Grès store in Paris was closed. [6] Parfums Grès [ edit ]

OK, my comparison values are AE and Scherrer - both rather durability monsters as well as Sillage monsters ...). Notes: bergamot, mandarin, galbanum, ylang ylang, jasmine, Bulgarian rose, clove, oakmoss, tobacco, musk, iris, sandalwood, vetiver, leather, castoreum, patchouli, labdanum Pierre Guillaume Bois Blond (now d/ced) – an all the time/any time favorite. Hay, woods, amber, musk I find the fragrance round, gentle and very well cared for. After the many descriptions of the older editions I would have imagined him to be more "adventurous" or "unruly" - but I don't experience that at all: For me he is something for every occasion. Special and rather harsh than sweet, but not pushy; friendly and affectionate. Slowly the smell leads me deeper into the forest and closer to the ground. It becomes more woodsy, heavier, sweeter, warmly spicy and a little bit earthy, but never musty or stuffy; I always feel the scent as somehow "fresh", as if a mild wind is blowing in the forest landscape.

Latest Tweets

It is hard to imagine that the formula has not been tinkered with since 1959, and in fact, Luca Turin has less than kind things to say about the current version. This is yet another fragrance that makes me wish I had started my smelling career 20 years ago. Mme. Alix Grès launched her design house, Grès, in Paris in 1942, and maintained control of her perfume line until the early 1980s. Parfums Grès has had a complicated ownership history since then. In 2002, it was sold by the Escada Group to Silvio Denz, and as far as I can figure out, his company still owns it. To me, it smells very classic. Actually, I have no idea about classics, most of them I don't like, as I associate them with old ladies tippling (well strutting) across the Ku-Damm with your fiffi on your arm. It will probably never become my genre but this one is still quite pleasant. The longevity is good, the sillage perceptible, pleasant and not too intrusive. Towards the end, it falls apart a bit. Star rating: 5 stars–outstanding/potential classic, 4 stars–very good, 3 stars–adequate, 2 stars–disappointing, 1 star–poor. I am trying the Eau de Toilette, and the lasting power is excellent. By today's standards, this is very much a unisex fragrance. It is probably better suited to cold weather, though, and I am going to revisit this in the fall and see if it is something I would wear regularly.

This is one of those interesting fragrances that I smelt out of context and initially disliked. By that I mean I smelt it away from its natural environment, which is of course alongside other Leathers and Tobaccos. Having smelled a few mainstream modern florals that day. Cabochard smelled old fashioned, and very powdery in a talcum powder way that was not good. In fact, I was missing the point first time round. Jaye: Have worn Cabochard (mostly vintage EDT or 50th Anniversary EDT) every day for years, ever since I found it oh-so-cheap in TJMaxx…. many years ago…to this day, stopped in grocery store aisles and asked what is that marvelous fragrance you’re wearing…..I am no perfumanista but I do know ” my nose”…..and what smells good “on me”, and apparently lovers, friends and total strangers agree…..OTOH….tried more than once, a sample of Chanel Cuir de Russie, so recommended to me by many because of my love of Cabochard…..OMG….it was a heavy, powdery floral on me that reminded me of being 8yo and my elderly, matronly aunts visiting and enveloping me in their heavy fur coats as they gave me a suffocating “hug”…..save me!…. Cabochard starts with citrus and deep green notes. It is a dark fragrance right from the start, and the leather is apparent almost immediately. The floral notes are muted: when smelled from a distance they are barely noticeable, from up close, the jasmine is more obvious but still seems to weave in and out. It dries down to an animalic leathery chypre with woods, moss, and a touch of smoke. It stays very dry for the first hour, then starts to take on a hint of sweetness from the patchouli.Ok, enough daydreaming, now refocus and get on with the numbers part. Oh no, no fragrance will help... So this is my first conscious chypre, or at least chypre-like scent. Of alone I would not have approached him. Aldehydes, patchouli and sage make me already from reading headache. But then in the course of the evening the ice breaks. Both at the class reunion and at the approach to an old-fashioned scent I end up in the stage of "Do you still know...?" And "How was that then..." etc. etc. The somewhat awkward time of reuniting, possibly even of false memories, is over and one digs into the treasure trove of experienced treasures one would not want to miss. What did others see in myself that I could not? Deep in my DNA, even in 1972 when I first discovered Cabochard, there existed a spirit which wouldn’t be subjugated, sublimated, vanquished: a warrior poised on the brink of never-ending skirmish. Gentle until no recourse remained but the dagger, willing to go to war for a noble cause, follow a leader worthy of the task. I don’t think I actually glimpsed that person until I had resumé photos taken in preparation for an audition with opera impresario Boris Goldovsky – and they frightened me. I avoided the camera. What I’d mistaken for ‘resting bitch face’ was pure resolve in the face of adversity and distrust of the lens’ scrutiny. Grès was a French haute couture fashion house founded by Madame Grès in 1942. Parfums Grès is the associated perfume house, which still exists, and is now based in Switzerland.

Overall it’s good Spiced Leather, but I can’t help thinking that I wouldn’t be so positive about this had I smelt the original, rather than this reformulation, which has deeply disappointed critics. (Luca Turin is practically in tears about this one). However, I have to work with the materials I’ve got. For my money, and there wasn’t much of that needed, this is a very good, aromatic Leather with a few shouts of Chypre Green notes and a schooner of Sherry before it finally calms down into its warm leathery base note.

Subscribe

Do you know the situation at a class reunion, when you are confronted by someone you used to know well, you have had good times with him, you also find familiar facial expressions and language and yet you are still a stranger? That's how I felt when I sprayed on the newest version of Cabochard. Yes, there is already known, and yet... it already wanted to spread the unfortunately so often experienced disappointment, if once again a fragrance classic reformulated to pretend as if he was the ancestor. Well well, the money is to be taken care of, you can use it now and then and consume it in such a way... but it's a shame. Inc, Time (20 November 1944). "PARIS FASHIONS: France's liberated haute couture has not lost its taste or touch". LIFE. 21. Vol.17. p.47. {{ cite magazine}}: |last1= has generic name ( help) Cabochard is often described as a softer take on the animalic darkness of Bandit. Indeed, if Bandit were to be polished to remove its rough edges, to soften its aggressive nature, and to mute its smoky leather, the result would be Cabochard, a leather chypre that is as assertive as it is graceful. A mélange of rich green notes, which is reminiscent of sliced green peppers and succulent leaves, creates an elegant transparent layer, under which an accord dominated by smoky leather is evident from the start. The leather reminiscent of a similar note in Chanel Cuir de Russie is subtle at first, hinting gently as to what might be present underneath the verdant radiance. Its strength grows over time, and as the hesperidic effervescence fades, calm darkness overtakes the composition.

Grès ballgown. Silk taffeta. Shenkar Archive. Draped jersey evening gown by Madame Grès, c.1981. ( PMA) [1] Portia! Congrats on post #601. I haven’t tried Cabochard, so I’m going to answer last week’s question since I didn’t get to join in then. (You know, like the way politicians answer any question with whatever they want to talk about, relevant or not!) Fragrances with meaning for my life as a perfumista:

Interestingly, as we reach the dry down Cabochard 2019 takes a left turn towards comfort. The leather is now a very expensive, supple suede and is joined by amber, sandalwood and a dry tobacco note. The note list says coconut but I get none of it. This final stage stays linear but fades to nothing in the coming hours. I am not especially fond of leather in fragrance, but Cabochard is very soft and smooth once it calms. As Guy Robert explains: Chevalier, Michel (2012). Luxury Brand Management. Singapore: John Wiley & Sons. ISBN 978-1-118-17176-9. Little by little he becomes softer, almost a bit resinous, cuddly, peaceful like a purring (wild or forest) cat. Slowly - much too fast - it fades away.